Dispersal

“We are in the epoch of simultaneity: we are in the epoch of juxtaposition, the epoch of the near and far, of the side-by-side, of the dispersed. We are at a moment, I believe, when our experience of the world is less that of a long life developing through time than that of a network that connects points and intersects with its own skein.”¹

We use the term dispersal here to mark the various “outcomes” of the project, including its antecedents, anything (selected) that is manifest enough to constitute a future point of reference, a node to which to connect.

Expositions

• Swap Space was a pilot project (spring 2022) at the University of Music and Performing Arts Graz that focused on novel forms of collaborative artistic research in which otherness, difference and distance between the participants are central and are brought into a cohesive form via the concept of the spatial. www.researchcatalogue.net/view/1562714/1562715

Publications

• Rutz, Hanns Holger and Nayarí Castillo (2022). “Simultaneous Writing (Machines)”. In: Proceedings of 7th Colloquium on Artistic Research in Performing Arts (CARPA). Helsinki: Theatre Academy, University of the Arts Helsinki.
• Rutz, Hanns Holger and Nayarí Castillo (2022). “Simultaneous Relaying as a Transformative Mode of Artistic Research”. In: Proceedings of the 12th International Conference on Artistic Research (SAR Conference). Vienna: Society for Artistic Research.
• Rutz, Hanns Holger (2021). “Human-Machine Simultaneity in the Compositional Process”. In: Handbook of Artificial Intelligence for Music. Ed. by Eduardo Reck Miranda. Springer International Publishing, pp. 21–51.
• Rutz, Hanns Holger and Nayarí Castillo (2021). “Three Spaces”. In: Proceedings of 9th Conference on Computation, Communication, Aesthetics & X (xCoAx). Ed. by Miguel Carvalhais, Mario Verdicchio, Luísa Ribas, and André Rangel. Porto: i2ADS, University of Porto, pp. 290–306.
• Hederer, Franziska (2010). “The Adventure of Arriving”. In: Upon Arrivals. Spatial Explorations. Ed. by Katharina Bantleon and Margit Neuhold. Graz: Centre for Intermediality Studies in Graz, pp. 15–20.